Issue 14.2 (Summer 2018)
Special Issue:
Making Masculinity: Craft, Gender and Material Production in the Long Nineteenth Century

Guest Edited by Freya Gowrley, University of Edinburgh
& Katie Faulkner, Courtauld Institute of Art

Introduction

Freya Gowrley and Katie Faulkner, “Making Masculinity: Craft and Material Production in the Long Nineteenth Century”

Articles

Maya Wassell Smith, “‘The fancy work what sailors make’: Material and Emotional Creative Practice in Masculine Seafaring Communities”

Serena Dyer, “Masculinities, Wallpaper, and Crafting Domestic Space within the University, 1795-1914”

Karen Harvey, “The End of Craft? The Force of Embodied Male Labour in Industrial Manufacture in Early-Nineteenth Century Sheffield and Birmingham”

Aurélie Petiot, “Crafting Colonial Masculinity: Charles Robert Ashbee’s Educational Programme in Egypt and Jerusalem, 1917-1921”

Penelope Wickson, “Wearing His Heart on His Sleeve: Odoardo Borrani’s The Seamstresses of the Red Shirts and the Cult of Garibaldi”

Chloe Northrop, “Satirical Prints and Imperial Masculinity: Johnny Newcome in the West Indies”

Reviews

Clare Stainthorp, “‘Who made the Poetess white? No one; not ever’.” Review of Tricia Lootens’s The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres.

Tamara S. Wagner, “From Memes to Ghost Walks: Charlotte Brontë’s Literary Legacies.” Review of Amber Regis and Deborah Wynne’s Charlotte Bronte: Legacies and Afterlives.

Kellie D. Holzer, “Crowd Management: the Novel and ‘Biopolitical Imagination’.” Review of Emily Steinlight’s Populating the Novel: Literary Form and the Politics of Surplus Life.

Elizabeth Honor Wilder, “Refuge Fantasies.” Review of Susan Fraiman’s Extreme Domesticity: A View from the Margins.